Size: 110 cm x 62 cm,

Medium: Digital photography, algorithmic pixel manipulation, Giclee print on matte fine art paper, mounted on gator board, aluminum frame

This project represents one of Piyarat's early attempts at using programming as a tool. In this work, she experiments with manipulating a grid by reordering pixels in a found stock image. She chose a series of bird's-eye view images depicting various geologies, such as mountains, tropical forests and cityscapes.

The piece incorporates Perlin noise and interactive elements to reorder pixels, aiming to create a dynamic effect. Her goal was to transform static images into glitch art, which she sees as reflecting post-digital aesthetics by embracing flaws and imperfections in seemingly perfect systems.

The project, originally consisting of print works completed in May 2024, has now transitioned to a video format.